The Orpheon Foundation in France is hosted on Les Festes de Thalie
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Home
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- The Museum Project
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The Orpheon Consort
- Concert: Music for a While
- Concert: O lux et decus hispaniae
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- Concert: Soirée at Esterhazy
- Concert: Marin Marais and his Time
- Concert: Mozart in London
- Concert: Johann Sebastian Bach
- Concert: My first 300 years
- Concert:Viola da Gamba and Orchestra
- Concert: Graun and Hesse
- Concert: Orpheon Baroque Orchestra
- Concert: Marin Marais & Johann Schenck
- Seminar: Johann Sebastian Bach
- Seminar: Marin Marais and his time
- Seminar: Marin Marais & Johann Schenck
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The Collection
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Violin Family
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Violins
- Italian, 16th C.?
- Nicolò Amati 1669
- Testore 18th century
- Matthias Albanus
- Antonio Pollusca
- Giovanni Antonio Marchi
- Italian, Cremona or Venice ?
- Grancino School
- J. Christoph Leidolff 1739
- J Christoph Leidolff 1746
- J. Christoph Leidolff 1747
- J. Christoph Leidolff 1748
- Joseph Ferdinand Leidolff 1767
- Johann Georg Thir 17–
- Johann Georg Thir 17–
- Mathias Thir 17–
- Johann Joseph Stadlman 1767
- Sebastian Dallinger 17__
- Johann Schorn 1707
- Jacobus Koldiz 1751
- Anonimous Master 18th C.
- Georg Hellmer 18th C.
- Jacob Horil 1739
- Aegidius Kloz I 1717
- Aegidius Kloz II 1774
- Sebastian Kloz 1733
- Leopold Widhalm ca 1780
- Joseph Hill 1774
- J. Anton Gedler 18th C.
- Hans Krouchdaler 17th C.
- Anonymous ca. 1730
- Giuseppe Gaffino 1743
- Anonymous, Mittenwald, 18th C.
- Anonymous German 18th C.
- Anonymous 18th C.
- Anonymous – Goffriller School 19th C.
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Violas
- Anonymous Italian 1570
- Anonymous Milano 17th C.
- Giovanni Grancino Milano, ca. 1700
- J. Christoph Leidolff 1719
- Anton Posch ca. 1700
- Johann Georg Thir 1757
- Mathias Thir 18th C.
- Johann Joseph Stadlmann 1764
- Sebastian Dallinger 1780
- Anonymous 17th C.
- Thomas Hulinsky 1768
- Josephus Antonius Laske 1787
- Anonymous 18th C.
- William Smith ca. 1780
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Violoncello
- Simone Cimapane 1692
- North Italian, ca. 1760
- Montagnana School ca. 1700
- Carlo Giuseppe Testore c.a. 1700
- Anonymous, ca. 1700
- Nicolaus Leidolff 1690
- Anton Posch ca. 1700
- Johann Georg Thir 1775
- Michael Ignaz Stadlmann c. 1780
- Johann Christoph Leidolff 1745
- Violoncello piccolo German, ca. 1800
- Violoncello “The King”
- Double Bass and Violone
- Special Violins
- Viole d’Amore
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Violins
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Viola da gamba Family
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Treble
- Anonymous 16th C.
- Gio. Balla Bugger 1630 (or 1636)
- Anonymous
- Anonymous, 16th C.
- William Turner 1647
- William Turner 1656
- William Turner 1650 c.a.
- Henry Jaye I 17th century
- Salomon workshop 18th.
- Marcel Pichler ?
- Gianbattista Grancino ?
- Anonympus, Munich, 17th C.
- Leonhardt Maussiel, Nürnberg, 1720
- Joann Andreas Kämbl, Munich, 1739
- Matthias Joannes Koldiz Munich, 17?6
- Paul Alletsee Munich, ca. 1720
- German or Austrian, 18th C. (I)
- German or Austrian, 18th C. (II)
- Paul Alletsee, Munich 1684-1735
- Ignatius Hoffmann Wölfelsdorf (Schlesien), 1736
- Tenor
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Bass
- Ventura di Francesco Linarolo (Venezia, 1585)
- Giovanni Paolo Maggini (Brescia, c. 1600)
- Paolo Antonio Testore (Milano, 1717)
- Pietro Guarneri of Mantova (ca. 1700)
- Joannes Florenus Guidantus
- Label Matteo Goffriller
- Anonymous, ca. 1670
- William Turner, London, ca. 1650
- Thomas Collingwood (London, 1680)
- Edward Lewis (London, 1687)
- Henry Jaye
- Jakob Stainer Absam, 1671
- Nikolaus Leidolff, Vienna, 1695
- Johann Seeloss, Linz, 1691
- Michael Albanus, Graz, 1706
- Johannes Jauck, Graz, 1735
- Joachim Tielke (Hamburg, 1683)
- Joachim Tielke (Hamburg, 1697)
- Paul Alletsee Munich, ca. 1722
- Caspar Hopf, ca. 1680
- Anonymous, festoon, ca. 1700
- Claude Boivin, Paris, c. 1740
- Ambroise de Comble, 18th C.
- Pieter Rombouts, Amsterdam, 1724
- Bass after John Rose by John Pringle (I)
- Bass after John Rose by John Pringle (II)
- John Pringle after Henry Jaye
- Petr Vavrous after Salomon, Prague, 1999
- Violone
- Pardessus de Viole
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Treble
- Baryton
- Historical Bows
- Keyboard Instruments
- Wind Instruments
- Lute
- Paintings & Engravings
- Miscellanea
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Violin Family
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Exhibitions
- Exhibitions 2020 –
- Exhibitions 2010 – 2019
- Exhibitions 2005 – 2009
- Exhibitions 2000 – 2004
- Exhibitions 1993 – 1999
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Activities
- EU-Projects
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List of activities
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Concerts
- Foligno 1998
- Algier, 2009
- Freiberg, Germany, June 2003
- Sacile 2003
- Steffisburg 2003, Germany, November 2003
- Duino 2005
- Kremsegg 2008
- Jindrichuv Hradec 2008
- Algier 2008
- Basauri, 2009
- Château de Lunéville, 2009
- Ibiza 2009
- Jindrichuv Hradec 2009
- Thoiry 2009
- Vienna 2010
- Innsbruck 2010
- Pylos 2010
- Lviv 2010
- St. Peters 2011
- Courses
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Concerts
- Audiovisuals
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Educational
- The Bow
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Documents
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Articles on the Viola da gamba
- The Oldest Viola da gamba in History
- Violin & Viola da gamba: Differences and Similarities
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The Shapes of the Viola da gamba in History
- Renaissance viol in Guitar Form
- Renaissance viol with rounded shoulders, but without violin corners
- Two forms of the Renaissance
- Viola da gamba in the Classical English form and in the violin form
- Viols in the shape of the “classical” English viol
- Viols as violin with sloping shoulders
- Viola da gamba in the violin form but with Sharp Corners
- Viola da gamba in the shape of a violin
- Viola da gamba in festoon shape
- The viola da gamba Tradition in South Germany and Austria
- The Treble viola da gamba (violetta) in South Germany and Austria
- Stradivarius and the viola da gamba
- Viols with a shaped back
- Die Formen der Violen da gamba
- The First Viola da gamba Fresco cycle of the Cathedral of Valencia (1472-74)
- Articles of Interest
- Previous owners
- Bending Over Frontwards
- Articles on the Violin Family
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Articles on the Viola da gamba
- Links
- Contact Us
- Museum Shop
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